A suitable workflow to detect and classify blurs in images? [duplicate] - image-processing

I had asked this on photo stackexchange but thought it might be relevant here as well, since I want to implement this programatically in my implementation.
I am trying to implement a blur detection algorithm for my imaging pipeline. The blur that I want to detect is both -
1) Camera Shake: Pictures captured using hand which moves/shakes when shutter speed is less.
2) Lens focussing errors - (Depth of Field) issues, like focussing on a incorrect object causing some blur.
3) Motion blur: Fast moving objects in the scene, captured using a not high enough shutter speed. E.g. A moving car a night might show a trail of its headlight/tail light in the image as a blur.
How can one detect this blur and quantify it in some way to make some decision based on that computed 'blur metric'?
What is the theory behind blur detection?
I am looking of good reading material using which I can implement some algorithm for this in C/Matlab.
thank you.
-AD.

Motion blur and camera shake are kind of the same thing when you think about the cause: relative motion of the camera and the object. You mention slow shutter speed -- it is a culprit in both cases.
Focus misses are subjective as they depend on the intent on the photographer. Without knowing what the photographer wanted to focus on, it's impossible to achieve this. And even if you do know what you wanted to focus on, it still wouldn't be trivial.
With that dose of realism aside, let me reassure you that blur detection is actually a very active research field, and there are already a few metrics that you can try out on your images. Here are some that I've used recently:
Edge width. Basically, perform edge detection on your image (using Canny or otherwise) and then measure the width of the edges. Blurry images will have wider edges that are more spread out. Sharper images will have thinner edges. Google for "A no-reference perceptual blur metric" by Marziliano -- it's a famous paper that describes this approach well enough for a full implementation. If you're dealing with motion blur, then the edges will be blurred (wide) in the direction of the motion.
Presence of fine detail. Have a look at my answer to this question (the edited part).
Frequency domain approaches. Taking the histogram of the DCT coefficients of the image (assuming you're working with JPEG) would give you an idea of how much fine detail the image has. This is how you grab the DCT coefficients from a JPEG file directly. If the count for the non-DC terms is low, it is likely that the image is blurry. This is the simplest way -- there are more sophisticated approaches in the frequency domain.
There are more, but I feel that that should be enough to get you started. If you require further info on either of those points, fire up Google Scholar and look around. In particular, check out the references of Marziliano's paper to get an idea about what has been tried in the past.

There is a great paper called : "analysis of focus measure operators for shape-from-focus" (https://www.researchgate.net/publication/234073157_Analysis_of_focus_measure_operators_in_shape-from-focus) , which does a comparison about 30 different techniques.
Out of all the different techniques, the "Laplacian" based methods seem to have the best performance. Most image processing programs like : MATLAB or OPENCV have already implemented this method . Below is an example using OpenCV : http://www.pyimagesearch.com/2015/09/07/blur-detection-with-opencv/

One important point to note here is that an image can have some blurry areas and some sharp areas. For example, if an image contains portrait photography, the image in the foreground is sharp whereas the background is blurry. In sports photography, the object in focus is sharp and the background usually has motion blur. One way to detect such a spatially varying blur in an image is to run a frequency domain analysis at every location in the image. One of the papers which addresses this topic is "Spatially-Varying Blur Detection Based on Multiscale Fused and Sorted Transform Coefficients of Gradient Magnitudes" (cvpr2017).
the authors look at multi resolution DCT coefficients at every pixel. These DCT coefficients are divided into low, medium, and high frequency bands, out of which only the high frequency coefficients are selected.
The DCT coefficients are then fused together and sorted to form the multiscale-fused and sorted high-frequency transform coefficients
A subset of these coefficients are selected. the number of selected coefficients is a tunable parameter which is application specific.
The selected subset of coefficients are then sent through a max pooling block to retain the highest activation within all the scales. This gives the blur map as the output, which is then sent through a post processing step to refine the map.
This blur map can be used to quantify the sharpness in various regions of the image. In order to get a single global metric to quantify the bluriness of the entire image, the mean of this blur map or the histogram of this blur map can be used
Here are some examples results on how the algorithm performs:
The sharp regions in the image have a high intensity in the blur_map, whereas blurry regions have a low intensity.
The github link to the project is: https://github.com/Utkarsh-Deshmukh/Spatially-Varying-Blur-Detection-python
The python implementation of this algorithm can be found on pypi which can easily be installed as shown below:
pip install blur_detector
A sample code snippet to generate the blur map is as follows:
import blur_detector
import cv2
if __name__ == '__main__':
img = cv2.imread('image_name', 0)
blur_map = blur_detector.detectBlur(img, downsampling_factor=4, num_scales=4, scale_start=2, num_iterations_RF_filter=3)
cv2.imshow('ori_img', img)
cv2.imshow('blur_map', blur_map)
cv2.waitKey(0)
For detecting blurry images, you can tweak the approach and add "Region of Interest estimation".
In this github link: https://github.com/Utkarsh-Deshmukh/Blurry-Image-Detector , I have used local entropy filters to estimate a region of interest. In this ROI, I then use DCT coefficients as feature extractors and train a simple multi-layer perceptron. On testing this approach on 20000 images in the "BSD-B" dataset (http://cg.postech.ac.kr/research/realblur/) I got an average accuracy of 94%

Just to add on the focussing errors, these may be detected by comparing the psf of the captured blurry images (wider) with reference ones (sharper). Deconvolution techniques may help correcting them but leaving artificial errors (shadows, rippling, ...). A light field camera can help refocusing to any depth planes since it captures the angular information besides the traditional spatial ones of the scene.

Related

How to detect this kind of artifacts/noises in my image?

I've been processing some image frames in videos and I discovered that sometimes one or two frames of the video will have artifacts or noise like the images below:
The artifacts look like abrasions of paint with noisy colors that covers only a small region (less than 100x100 in a 1000x2000 frame) of the image. I wonder if there are ways to detect the noisy frames? I've tried to use the difference of frames with SSIM, NMSE or PSNR but found limited effectiveness. Saliency map (left) or sobel/scharr filtering (right) providing more obvious view but regular borders are also included and I'm not sure how to form a classifier.
Scharr saliency map:
Since they are only a few frames in videos it's not quite necessary to denoising and I can just remove the frames one detected. The main problem here is that it's difficult to distinguish those frames in playing videos.
Can anybody offer some help here?
Detailing the comment as an answer with a few more details:
The Scharr and saliency map looks good.
Thresholding will result in a binary image which can be cleaned up with morphological filters (erode to enhance artefacts, dilate to 'erase' gradient contours).
Finding contours will result in lists of points which can be further processed/filtered using contour features.
If the gradients are always bigger than the artefacts, contour features, such as the bounding box dimensions and aspect ratio should help segment artefact contours from gradient contours (if any: hopefully dilation would've cleaned up the thresholded/binary image).
Another idea could be looking into oriented gradients:
either computer the oriented gradients (see visualisations): with the right cell size you might strike a balance where the artefacts have a high magnitude while gradient edges don't
you could try a full histogram of oriented gradients (HoG) classifier setup (using an SVM trained on histograms (as features))
The above options do rely on hand crafted features/making assumptions about the size of artefacts.
ML could be an interesting route too, hopefully it can generalise well enough.
Depending how many example images you have available, you could test a basic prototype using Teachable Machine (which behind the scenes would apply KNN to a transfer learning layer on top of MobileNet (or similar net)) fairly fast.
(Note: I've posted OpenCV Python links, but there are libraries that can help (e.g. scikit-image, scikit-learn, kornia, etc. in Python, cvv in c++, BoofCV in java, etc. (and there might be toolboxes for Matlab/Octave with similar features))

OpenCV Matching Exposure across images

I was wondering if its possible to match the exposure across a set of images.
For example, lets say you have 5 images that were taken at different angles. Images 1-3,5 are taken with the same exposure whilst the 4th image have a slightly darker exposure. When I then try to combine these into a cylindrical panorama using (seamFinder with: gc_color, surf detection, MULTI_BAND blending,Wave correction, etc.) the result turns out with a big shadow in the middle due to the darkness from image 4.
I've also tried using exposureCompensator without luck.
Since I'm taking the pictures in iOS, I maybe could increase exposure manually when needed? But this doesn't seem optimal..
Have anyone else dealt with this problem?
This method is probably overkill (and not just a little) but the current state-of-the-art method for ensuring color consistency between different images is presented in this article from HaCohen et al.
Their algorithm can correct a wide range of errors in image sets. I have implemented and tested it on datasets with large errors and it performs very well.
But, once again, I suppose this is way overkill for panorama stitching.
Sunreef has provided a very good paper, but it does seem overkill because of the complexity of a possible implementation.
What you want to do is to equalize the exposure not on the entire images, but on the overlapping zones. If the histograms of the overlapped zones match, it is a good indicator that the images have similar brightness and exposure conditions. Since you are doing more than 1 stitch, you may require a global equalization in order to make all the images look similar, and then only equalize them using either a weighted equalization on the overlapped region or a quadratic optimiser (which is again overkill if you are not a professional photographer). OpenCV has a simple implmentation of a simple equalization compensation algorithm.
The detail::ExposureCompensator class of OpenCV (sample implementation of such a stitiching is here) would be ideal for you to use.
Just create a compensator (try the 2 different types of compensation: GAIN and GAIN_BLOCKS)
Feed the images into the compensator, based on where their top-left cornes lie (in the stitched image) along with a mask (which can be either completely white or white only in the overlapped region).
Apply compensation on each individual image and iteratively check the results.
I don't know any way to do this in iOS, just OpenCV.

Water Edge Detection

Is there a robust way to detect the water line, like the edge of a river in this image, in OpenCV?
(source: pequannockriver.org)
This task is challenging because a combination of techniques must be used. Furthermore, for each technique, the numerical parameters may only work correctly for a very narrow range. This means either a human expert must tune them by trial-and-error for each image, or that the technique must be executed many times with many different parameters, in order for the correct result to be selected.
The following outline is highly-specific to this sample image. It might not work with any other images.
One bit of advice: As usual, any multi-step image analysis should always begin with the most reliable step, and then proceed down to the less reliable steps. Whenever possible, the less reliable step should make use of the result of more-reliable steps to augment its own accuracy.
Detection of sky
Convert image to HSV colorspace, and find the cyan located at the upper-half of the image.
Keep this HSV image, becuase it could be handy for the next few steps as well.
Detection of shrubs
Run Canny edge detection on the grayscale version of image, with suitably chosen sigma and thresholds. This will pick up the branches on the shrubs, which would look like a bunch of noise. Meanwhile, the water surface would be relatively smooth.
Grayscale is used in this technique in order to reduce the influence of reflections on the water surface (the green and yellow reflections from the shrubs). There might be other colorspaces (or preprocessing techniques) more capable of removing that reflection.
Detection of water ripples from a lower elevation angle viewpoint
Firstly, mark off any image parts that are already classified as shrubs or sky. Since shrub detection would be more reliable than water detection, shrub detection's result should be used to inform the less-reliable water detection.
Observation
Because of the low elevation angle viewpoint, the water ripples appear horizontally elongated. In fact, every image feature appears stretched horizontally. This is called Anisotropy. We could make use of this tendency to detect them.
Note: I am not experienced in anisotropy detection. Perhaps you can get better ideas from other people.
Idea 1:
Use maximally-stable extremal regions (MSER) as a blob detector.
The Wikipedia introduction appears intimidating, but it is really related to connected-component algorithms. A naive implementation can be done similar to Dijkstra's algorithm.
Idea 2:
Notice that the image features are horizontally stretched, a simpler approach is to just sum up the absolute values of horizontal gradients and compare that to the sum of absolute values of vertical gradients.

Detection of Blur in Images/Video sequences

I had asked this on photo stackexchange but thought it might be relevant here as well, since I want to implement this programatically in my implementation.
I am trying to implement a blur detection algorithm for my imaging pipeline. The blur that I want to detect is both -
1) Camera Shake: Pictures captured using hand which moves/shakes when shutter speed is less.
2) Lens focussing errors - (Depth of Field) issues, like focussing on a incorrect object causing some blur.
3) Motion blur: Fast moving objects in the scene, captured using a not high enough shutter speed. E.g. A moving car a night might show a trail of its headlight/tail light in the image as a blur.
How can one detect this blur and quantify it in some way to make some decision based on that computed 'blur metric'?
What is the theory behind blur detection?
I am looking of good reading material using which I can implement some algorithm for this in C/Matlab.
thank you.
-AD.
Motion blur and camera shake are kind of the same thing when you think about the cause: relative motion of the camera and the object. You mention slow shutter speed -- it is a culprit in both cases.
Focus misses are subjective as they depend on the intent on the photographer. Without knowing what the photographer wanted to focus on, it's impossible to achieve this. And even if you do know what you wanted to focus on, it still wouldn't be trivial.
With that dose of realism aside, let me reassure you that blur detection is actually a very active research field, and there are already a few metrics that you can try out on your images. Here are some that I've used recently:
Edge width. Basically, perform edge detection on your image (using Canny or otherwise) and then measure the width of the edges. Blurry images will have wider edges that are more spread out. Sharper images will have thinner edges. Google for "A no-reference perceptual blur metric" by Marziliano -- it's a famous paper that describes this approach well enough for a full implementation. If you're dealing with motion blur, then the edges will be blurred (wide) in the direction of the motion.
Presence of fine detail. Have a look at my answer to this question (the edited part).
Frequency domain approaches. Taking the histogram of the DCT coefficients of the image (assuming you're working with JPEG) would give you an idea of how much fine detail the image has. This is how you grab the DCT coefficients from a JPEG file directly. If the count for the non-DC terms is low, it is likely that the image is blurry. This is the simplest way -- there are more sophisticated approaches in the frequency domain.
There are more, but I feel that that should be enough to get you started. If you require further info on either of those points, fire up Google Scholar and look around. In particular, check out the references of Marziliano's paper to get an idea about what has been tried in the past.
There is a great paper called : "analysis of focus measure operators for shape-from-focus" (https://www.researchgate.net/publication/234073157_Analysis_of_focus_measure_operators_in_shape-from-focus) , which does a comparison about 30 different techniques.
Out of all the different techniques, the "Laplacian" based methods seem to have the best performance. Most image processing programs like : MATLAB or OPENCV have already implemented this method . Below is an example using OpenCV : http://www.pyimagesearch.com/2015/09/07/blur-detection-with-opencv/
One important point to note here is that an image can have some blurry areas and some sharp areas. For example, if an image contains portrait photography, the image in the foreground is sharp whereas the background is blurry. In sports photography, the object in focus is sharp and the background usually has motion blur. One way to detect such a spatially varying blur in an image is to run a frequency domain analysis at every location in the image. One of the papers which addresses this topic is "Spatially-Varying Blur Detection Based on Multiscale Fused and Sorted Transform Coefficients of Gradient Magnitudes" (cvpr2017).
the authors look at multi resolution DCT coefficients at every pixel. These DCT coefficients are divided into low, medium, and high frequency bands, out of which only the high frequency coefficients are selected.
The DCT coefficients are then fused together and sorted to form the multiscale-fused and sorted high-frequency transform coefficients
A subset of these coefficients are selected. the number of selected coefficients is a tunable parameter which is application specific.
The selected subset of coefficients are then sent through a max pooling block to retain the highest activation within all the scales. This gives the blur map as the output, which is then sent through a post processing step to refine the map.
This blur map can be used to quantify the sharpness in various regions of the image. In order to get a single global metric to quantify the bluriness of the entire image, the mean of this blur map or the histogram of this blur map can be used
Here are some examples results on how the algorithm performs:
The sharp regions in the image have a high intensity in the blur_map, whereas blurry regions have a low intensity.
The github link to the project is: https://github.com/Utkarsh-Deshmukh/Spatially-Varying-Blur-Detection-python
The python implementation of this algorithm can be found on pypi which can easily be installed as shown below:
pip install blur_detector
A sample code snippet to generate the blur map is as follows:
import blur_detector
import cv2
if __name__ == '__main__':
img = cv2.imread('image_name', 0)
blur_map = blur_detector.detectBlur(img, downsampling_factor=4, num_scales=4, scale_start=2, num_iterations_RF_filter=3)
cv2.imshow('ori_img', img)
cv2.imshow('blur_map', blur_map)
cv2.waitKey(0)
For detecting blurry images, you can tweak the approach and add "Region of Interest estimation".
In this github link: https://github.com/Utkarsh-Deshmukh/Blurry-Image-Detector , I have used local entropy filters to estimate a region of interest. In this ROI, I then use DCT coefficients as feature extractors and train a simple multi-layer perceptron. On testing this approach on 20000 images in the "BSD-B" dataset (http://cg.postech.ac.kr/research/realblur/) I got an average accuracy of 94%
Just to add on the focussing errors, these may be detected by comparing the psf of the captured blurry images (wider) with reference ones (sharper). Deconvolution techniques may help correcting them but leaving artificial errors (shadows, rippling, ...). A light field camera can help refocusing to any depth planes since it captures the angular information besides the traditional spatial ones of the scene.

Finding the height above water level of rocks

I am currently helping a friend working on a geo-physical project, I'm not by any means a image processing pro, but its fun to play
around with these kinds of problems. =)
The aim is to estimate the height of small rocks sticking out of water, from surface to top.
The experimental equipment will be a ~10MP camera mounted on a distance meter with a built in laser pointer.
The "operator" will point this at a rock, press a trigger which will register a distance along of a photo of the rock, which
will be in the center of the image.
The eqipment can be assumed to always be held at a fixed distance above the water.
As I see it there are a number of problems to overcome:
Lighting conditions
Depending on the time of day etc., the rock might be brighter then the water or opposite.
Sometimes the rock will have a color very close to the water.
The position of the shade will move throughout the day.
Depending on how rough the water is, there might sometimes be a reflection of the rock in the water.
Diversity
The rock is not evenly shaped.
Depending on the rock type, growth of lichen etc., changes the look of the rock.
Fortunateness, there is no shortage of test data. Pictures of rocks in water is easy to come by. Here are some sample images:
I've run a edge detector on the images, and esp. in the fourth picture the poor contrast makes it hard to see the edges:
Any ideas would be greatly appreciated!
I don't think that edge detection is best approach to detect the rocks. Other objects, like the mountains or even the reflections in the water will result in edges.
I suggest that you try a pixel classification approach to segment the rocks from the background of the image:
For each pixel in the image, extract a set of image descriptors from a NxN neighborhood centered at that pixel.
Select a set of images and manually label the pixels as rock or background.
Use the labeled pixels and the respective image descriptors to train a classifier (eg. a Naive Bayes classifier)
Since the rocks tends to have similar texture, I would use texture image descriptors to train the classifier. You could try, for example, to extract a few statistical measures from each color chanel (R,G,B) like the mean and standard deviation of the intensity values.
Pixel classification might work here, but will never yield a 100% accuracy. The variance in the data is really big, rocks have different colours (which are also "corrupted" with lighting) and different texture. So, one must account for global information as well.
The problem you deal with is foreground extraction. There are two approaches I am aware of.
Energy minimization via graph cuts, see e.g. http://en.wikipedia.org/wiki/GrabCut (there are links to the paper and OpenCV implementation). Some initialization ("seeds") should be done (either by a user or by some prior knowledge like the rock is in the center while water is on the periphery). Another variant of input is an approximate bounding rectangle. It is implemented in MS Office 2010 foreground extraction tool.
The energy function of possible foreground/background labellings enforces foreground to be similar to the foreground seeds, and a smooth boundary. So, the minimum of the energy corresponds to the good foreground mask. Note that with pixel classification approach one should pre-label a lot of images to learn from, then segmentation is done automatically, while with this approach one should select seeds on each query image (or they are chosen implicitly).
Active contours a.k.a. snakes also requre some user interaction. They are more like Photoshop Magic Wand tool. They also try to find a smooth boundary, but do not consider the inner area.
Both methods might have problems with the reflections (pixel classification will definitely have). If it is the case, you may try to find an approximate vertical symmetry, and delete the lower part, if any. You can also ask a user to mark the reflaction as a background while collecting stats for graph cuts.
Color segmentation to find the rock, together with edge detection to find the top.
To find the water level I would try and find all the water-rock boundaries, and the horizon (if possible) then fit a plane to the surface of the water.
That way you don't need to worry about reflections of the rock.
Easier if you know the pitch angle between the camera and the water and if the camera is is leveled horizontally (roll).
ps. This is a lot harder than I thought - you don't know the distance to all the rocks so fitting a plane is difficult.
It occurs that the reflection is actually the ideal way of finding the level, look for symetric path edges in the rock edge detection and pick the vertex?

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