I would like to create an image transition program. It should shift pixel areas from one image and transition them to another based on certain criteria, like colour and shape.
To do this, I need to be able to analyse the image, split it into groups, and shift these groups.
The first problem already starts with determining the pixel groups. They should not be chosen at random or perfect polygons/shapes. Does anyone know of an algorithm that can differentiate different textures/surroundings/borders?
Next, I need to do the slight adjustments to the areas in order to make them fit to the new image. Then the areas will be moved. That'll not be as hard as the first problem.
Performance doesn't matter that much; first I have to get the program working. It can take an hour to load the transition beforehand or whatever ;)
Could anyone give me some advice where to start or what technologies/APIs I could use? I'm fine with most programming languages, preferably C#, VB, JavaScript, PHP, Java, etc. The platform doesn't matter either.
I know, this is complex, but I gave my best to try to explain it. Any ideas?
Your first task, grouping according to color/texture/etc. is called segmentation. There are many approaches and algorithms to do it, and none is absolutely better than all other, as many things in image processing, the best algorithm depends on your image and your specific functional/artistic goal.
The general idea is to define multiple distances between pixels, like one distance would be based only on the position of pixels, another on the difference in their color, a more advanced metric could take the neighborhood into account to do something related to shape, contour orientations or texture. Then you would combine these distances (for example in a weighted sum) to get a "clever" measure of how similar two pixels are. After that you compute more or less exhaustively all distances and group similar pixels according to some thresholds (like how big the final groups are).
If you don't want to research and implement all that, you'd be better off using an existing image processing library. I suggest looking at OpenCV and the "segmentation" keyword. You'll get implementations of k-means, watershed and meanshift algorithms which are probably of interest for achieving your effect.
OpenCV is C++ but it also have bindings in Java and Python I think, and probably other.
For your second task, you need a mix of moving and blending pixels, but that's simpler and you can do it "by hand", or look at morphing algorithms.
A quick search revealed this blog post with a source code using OpenCV to morph two images. You also have some ready-made libraries in a few languages, have a look at related questions.
You could even directly call a command-line utility: xmorph but doesn't seem portable or imagemagick (see this script) which is more modern but not doesn't implement a real morphing algorithm AFAIK.
Related
Basically, I was weighing up some options for a software idea I had. The web app thing is a bit of a constraint on the project, so I'm assuming I would be writing this in js.
I need to create a drawable area for the user, which is okay, allow them to draw and then compare the input to a correct example. This is just an arrow, but the arrow can be double headed (normal point arrow) or single headed (half an arrowhead), so the minute details are fairly important, as is the location.
Now, I've read around for a few hours or so, and it seems to be that a good approach is to downsample the input so I am just comparing a couple of pixels. I am wondering though if there is a simpler way to achieve what I want here, and if there are good resources for learning what I feel is a very basic implementation of image recognition. Also having never implemented something like this, I'm a little worried about the little details of something like this, like speed; obviously feedback has to be fairly quick.
Thanks.
Use openCV. It already has the kind of use cases you want (location, style etc. of the image). There are many other open source libraries but not many as robust as this.
After that you have to decide all the possible images you want to make as the standard image, then get training examples for each of these standard images (each of these std images would be your one single class).
Now use the pixels as the features (openCV will do it for you with minimum help) and do your classification training. Not you have to provide these training images and have at least a good amount of training images for each class. Then use this trained classifier to classify the images that are drawn by your users. You can put GUI on top of it to adapt to your needs that you posted above.
I am building an iOS app that, as a key feature, incorporates image matching. The problem is the images I need to recognize are small orienteering 10x10 plaques with simple large text on them. They can be quite reflective and will be outside(so the light conditions will be variable). Sample image
There will be up to 15 of these types of image in the pool and really all I need to detect is the text, in order to log where the user has been.
The problem I am facing is that with the image matching software I have tried, aurasma and slightly more successfully arlabs, they can't distinguish between them as they are primarily built to work with detailed images.
I need to accurately detect which plaque is being scanned and have considered using gps to refine the selection but the only reliable way I have found is to get the user to manually enter the text. One of the key attractions we have based the product around is being able to detect these images that are already in place and not have to set up any additional material.
Can anyone suggest a piece of software that would work(as is iOS friendly) or a method of detection that would be effective and interactive/pleasing for the user.
Sample environment:
http://www.orienteeringcoach.com/wp-content/uploads/2012/08/startfinishscp.jpeg
The environment can change substantially, basically anywhere a plaque could be positioned they are; fences, walls, and posts in either wooded or open areas, but overwhelmingly outdoors.
I'm not an iOs programmer, but I will try to answer from an algorithmic point of view. Essentially, you have a detection problem ("Where is the plaque?") and a classification problem ("Which one is it?"). Asking the user to keep the plaque in a pre-defined region is certainly a good idea. This solves the detection problem, which is often harder to solve with limited resources than the classification problem.
For classification, I see two alternatives:
The classic "Computer Vision" route would be feature extraction and classification. Local Binary Patterns and HOG are feature extractors known to be fast enough for mobile (the former more than the latter), and they are not too complicated to implement. Classifiers, however, are non-trivial, and you would probably have to search for an appropriate iOs library.
Alternatively, you could try to binarize the image, i.e. classify pixels as "plate" / white or "text" / black. Then you can use an error-tolerant similarity measure for comparing your binarized image with a binarized reference image of the plaque. The chamfer distance measure is a good candidate. It essentially boils down to comparing the distance transforms of your two binarized images. This is more tolerant to misalignment than comparing binary images directly. The distance transforms of the reference images can be pre-computed and stored on the device.
Personally, I would try the second approach. A (non-mobile) prototype of the second approach is relatively easy to code and evaluate with a good image processing library (OpenCV, Matlab + Image Processing Toolbox, Python, etc).
I managed to find a solution that is working quite well. Im not fully optimized yet but I think its just tweaking filters, as ill explain later on.
Initially I tried to set up opencv but it was very time consuming and a steep learning curve but it did give me an idea. The key to my problem is really detecting the characters within the image and ignoring the background, which was basically just noise. OCR was designed exactly for this purpose.
I found the free library tesseract (https://github.com/ldiqual/tesseract-ios-lib) easy to use and with plenty of customizability. At first the results were very random but applying sharpening and monochromatic filter and a color invert worked well to clean up the text. Next a marked out a target area on the ui and used that to cut out the rectangle of image to process. The speed of processing is slow on large images and this cut it dramatically. The OCR filter allowed me to restrict allowable characters and as the plaques follow a standard configuration this narrowed down the accuracy.
So far its been successful with the grey background plaques but I havent found the correct filter for the red and white editions. My goal will be to add color detection and remove the need to feed in the data type.
I need to automatically align an image B on top of another image A in such a way, that the contents of the image match as good as possible.
The images can be shifted in x/y directions and rotated up to 5 degrees on z, but they won't be distorted (i.e. scaled or keystoned).
Maybe someone can recommend some good links or books on this topic, or share some thoughts how such an alignment of images could be done.
If there wasn't the rotation problem, then I could simply try to compare rows of pixels with a brute-force method until I find a match, and then I know the offset and can align the image.
Do I need AI for this?
I'm having a hard time finding resources on image processing which go into detail how these alignment-algorithms work.
So what people often do in this case is first find points in the images that match then compute the best transformation matrix with least squares. The point matching is not particularly simple and often times you just use human input for this task, you have to do it all the time for calibrating cameras. Anyway, if you want to fully automate this process you can use feature extraction techniques to find matching points, there are volumes of research papers written on this topic and any standard computer vision text will have a chapter on this. Once you have N matching points, solving for the least squares transformation matrix is pretty straightforward and, again, can be found in any computer vision text, so I'll assume you got that covered.
If you don't want to find point correspondences you could directly optimize the rotation and translation using steepest descent, trouble is this is non-convex so there are no guarantees you will find the correct transformation. You could do random restarts or simulated annealing or any other global optimization tricks on top of this, that would most likely work. I can't find any references to this problem, but it's basically a digital image stabilization algorithm I had to implement it when I took computer vision but that was many years ago, here are the relevant slides though, look at "stabilization revisited". Yes, I know those slides are terrible, I didn't make them :) However, the method for determining the gradient is quite an elegant one, since finite difference is clearly intractable.
Edit: I finally found the paper that went over how to do this here, it's a really great paper and it explains the Lucas-Kanade algorithm very nicely. Also, this site has a whole lot of material and source code on image alignment that will probably be useful.
for aligning the 2 images together you have to carry out image registration technique.
In matlab, write functions for image registration and select your desirable features for reference called 'feature points' using 'control point selection tool' to register images.
Read more about image registration in the matlab help window to understand properly.
I have a simple photograph that may or may not include a logo image. I'm trying to identify whether a picture includes the logo shape or not. The logo (rectangular shape with a few extra features) could be of various sizes and could have multiple occurrences. I'd like to use Computer Vision techniques to identify the location of these logo occurrences. Can someone point me in the right direction (algorithm, technique?) that can be used to achieve this goal?
I'm quite a novice to Computer Vision so any direction would be very appreciative.
Thanks!
Practical issues
Since you need a scale-invariant method (that's the proper jargon for "could be of various sizes") SIFT (as mentioned in Logo recognition in images, thanks overrider!) is a good first choice, it's very popular these days and is worth a try. You can find here some code to download. If you cannot use Matlab, you should probably go with OpenCV. Even if you end up discarding SIFT for some reason, trying to make it work will teach you a few important things about object recognition.
General description and lingo
This section is mostly here to introduce you to a few important buzzwords, by describing a broad class of object detection methods, so that you can go and look these things up. Important: there are many other methods that do not fall in this class. We'll call this class "feature-based detection".
So first you go and find features in your image. These are characteristic points of the image (corners and line crossings are good examples) that have a lot of invariances: whatever reasonable processing you do to to your image (scaling, rotation, brightness change, adding a bit of noise, etc) it will not change the fact that there is a corner in a certain point. "Pixel value" or "vertical lines" are bad features. Sometimes a feature will include some numbers (e.g. the prominence of a corner) in addition to a position.
Then you do some clean-up, like remove features that are not strong enough.
Then you go to your database. That's something you've built in advance, usually by taking several nice and clean images of whatever you are trying to find, running you feature detection on them, cleaning things up, and arrange them in some data structure for your next stage —
Look-up. You have to take a bunch of features form your image and try to match them against your database: do they correspond to an object you are looking for? This is pretty non-trivial, since on the face of it you have to consider all subsets of the bunch of features you've found, which is exponential. So there are all kinds of smart hashing techniques to do it, like Hough transform and Geometric hashing.
Now you should do some verification. You have found some places in the image which are suspect: it's probable that they contain your object. Usually, you know what is the presumed size, orientation, and position of your object, and you can use something simple (like a convolution) to check if it's really there.
You end up with a bunch of probabilities, basically: for a few locations, how probable it is that your object is there. Here you do some outlier detection. If you expect only 1-2 occurrences of your object, you'll look for the largest probabilities that stand out, and take only these points. If you expect many occurrences (like face detection on a photo of a bunch of people), you'll look for very low probabilities and discard them.
That's it, you are done!
Algorithm for a drawing and painting robot -
Hello
I want to write a piece of software which analyses an image, and then produces an image which captures what a human eye perceives in the original image, using a minimum of bezier path objects of varying of colour and opacity.
Unlike the recent twitter super compression contest (see: stackoverflow.com/questions/891643/twitter-image-encoding-challenge), my goal is not to create a replica which is faithful to the image, but instead to replicate the human experience of looking at the image.
As an example, if the original image shows a red balloon in the top left corner, and the reproduction has something that looks like a red balloon in the top left corner then I will have achieved my goal, even if the balloon in the reproduction is not quite in the same position and not quite the same size or colour.
When I say "as perceived by a human", I mean this in a very limited sense. i am not attempting to analyse the meaning of an image, I don't need to know what an image is of, i am only interested in the key visual features a human eye would notice, to the extent that this can be automated by an algorithm which has no capacity to conceptualise what it is actually observing.
Why this unusual criteria of human perception over photographic accuracy?
This software would be used to drive a drawing and painting robot, which will be collaborating with a human artist (see: video.google.com/videosearch?q=mr%20squiggle).
Rather than treating marks made by the human which are not photographically perfect as necessarily being mistakes, The algorithm should seek to incorporate what is already on the canvas into the final image.
So relative brightness, hue, saturation, size and position are much more important than being photographically identical to the original. The maintaining the topology of the features, block of colour, gradients, convex and concave curve will be more important the exact size shape and colour of those features
Still with me?
My problem is that I suffering a little from the "when you have a hammer everything looks like a nail" syndrome. To me it seems the way to do this is using a genetic algorithm with something like the comparison of wavelet transforms (see: grail.cs.washington.edu/projects/query/) used by retrievr (see: labs.systemone.at/retrievr/) to select fit solutions.
But the main reason I see this as the answer, is that these are these are the techniques I know, there are probably much more elegant solutions using techniques I don't now anything about.
It would be especially interesting to take into account the ways the human vision system analyses an image, so perhaps special attention needs to be paid to straight lines, and angles, high contrast borders and large blocks of similar colours.
Do you have any suggestions for things I should read on vision, image algorithms, genetic algorithms or similar projects?
Thank you
Mat
PS. Some of the spelling above may appear wrong to you and your spellcheck. It's just international spelling variations which may differ from the standard in your country: e.g. Australian standard: colour vs American standard: color
There is an model that can implemented as an algorithm to calculate a saliency map for an image, determining which parts of the image would get the most attention from a human.
The model is called itti koch model
You can find a startin paper here
And more resources and c++ sourcecode here
I cannot answer your question directly, but you should really take a look at artist/programmer (Lisp) Harold Cohen's painting machine Aaron.
That's quite a big task. You might be interested in image vectorizing (don't know what it's called officially), which is used to take in rasterized images (such as pictures you take with a camera) and outputs a set of bezier lines (i think) that approximate the image you put in. Since good algorithms often output very high quality (read: complex) line sets you'd also be interested in simplification algorithms which can help enormously.
Unfortunately I am not next to my library, or I could reccomend a number of books on perceptual psychology.
The first thing you must consider is the physiology of the human eye is such that when we examine an image or scene, we are only capturing very small bits at a time, as our eyes dart around rapidly. Our mind peices the different parts together to try and form a whole.
You might start by finding an algorithm for the path of an eyeball as it darts around. Perhaps it is attracted to contrast?
Next is that our eyes adjust the "exposure" depending on the context. It's like those high dynamic range images, if they were peiced together not by multiple exposures of a whole scene, but by many small images, each balanced on its own, but blended into its surroundings to form a high dynamic range.
Now there was a finding in a monkey brain that there is a single neuron that lights up if there's a diagonal line in the upper left of its field of vision. Similar neurons can be found for vertical lines, and horizontal lines in various areas of that monkey's field of vision. The "diagonalness" determines the frequency with which that neuron fires.
one might speculated that other neurons might be found and mapped to other qualities such as redness, or texturedness, and other things.
There's something humans can do that I've not seen a computer program ever able to do. it's something called "closure", where a human is able to fill in information about something that they are seeing, that doesn't actually exist in the image. an example:
*
* *
is that a triangle? If you knew that it was in advance, then you could probably make a program to connect the dots. But what if it's just dots? How can you know? I wouldn't attempt this one unless I had some really clever way of dealing with that one.
There are many other facts about human perception you might be able to use. Good luck, you've not picked a straightforward task.
i think a thing that could help you in this enormous task is human involvement. i mean data. like you could have many people sitting staring at random dots (like from the previous post) and connect them as they see right. you could harness that data.